Just got back from the Beaver State Fling another PDGA National Tour Event held in Portland, Oregon.
However, while I was there, I had just enough time one morning to edit a few images of John Child from our shoot at the Masters Cup in Santa Cruz, California.
This shoot was the first time I have ever shot with the Canon EOS Rebel T2i.
Using a 17-40 mm at f-22 and a Hensel Kit with one head as a key light I have to admit that the images the t2i produces are very impressive.
Spent the last week in Santa Cruz, California at the annual Masters Cup at De La Veaga shooting video and photographing disc golf at the tournament.
In addition to shooting disc golf apparel all week for DGA, we also had the opportunity to photograph my good friend and 2009 World Champion Avery Jenkins.
Armed with the new Canon T2i, a Hensel Kit with one head , and a few lenses, we were able to produce this series of images as well as capture 3 full rounds of disc golf action in HD video.
Be on the look out for golf footage and a complete post about the DGA catalog shoot here in the near future.
Just completed all of the Carnival Of Couture Fashion Show Photos and Video.
There are almost 700 photographs that were taken by our new assistant photographers Justin Napier and Alex Levine.
On the video side we shot with 4 different DSLR Canon cameras in HD and then edited them down into just over 2 hours total.
Filmed by Cody Wheeler, Chad Boutin, Orion Lange, Michael Pantaleo, and the project was produced and edited by Darris Hurst using final cut pro.
Here are the promo video and photo pieces we put together, but make sure to give us a call here at the 245 Media studios if you want to order your copy of the entire show. 541-683-1721
Just put the finishing touches on a new hip hop album cover for Eugene, Oregon recording artists C3 and B Da Truth called Champagne & Hennessy.
This was an interesting and fun studio shoot that incorporated the direction of 4 subjects in the same shot which is a bit easier said than done.
We came into this shoot wanting a gray background that would give our final image a fashion like feeling.
In order to achieve this we shot on our white seamless and made sure there was no light hitting it thus it went that creamy gray that we were looking for.
I used one 800 watt Paul Buff Alien Bee as a key light with a one stop silk as a modifier which was barely enough spread to cover all four subjects when I added white cards to bounce more light into scene.
After about 2 hours of messing around with the lighting and composition we finally hit our mark and came up with this shot.